ORBIT

“You want to escape and close the door behind you before the metaphors follow. At the same time, the performance seduces with its hypnotic charm, the cynical humour never lets up, every word hits a target, the music has an enveloping effect, the collective disturbance connects, we dance and shudder at the same time. The questions that haunt us after the concert are useless – what is the Täubling really like? The pigeon is not real. When I mention that I‘m going to write something about what I‘ve just experienced, one of my friends says: “I was so aggressive that I wanted to hit him. It was great!” (*)

“Behind the provocations lies highly dramatic music that is unrivalled in Germany. When the audience gets involved with the furious grotesquerie of the Täubling, they will learn a lot: about the power of words, about juggling words, about juggling on the abyss of human existence, about letting go.” (**)